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A boyfriend, who can barely speak English, embarks on an overseas trip with his girlfriend, who takes charge of planning everything and even handles communication on his behalf. However, their journey turns into a nightmare when they barely make it to their accommodation, and strange knocking sounds start emanating from the room. To make matters worse, the girlfriend disappears while taking a shower, and the police immediately suspect the boyfriend. With meticulously crafted initial ominous situations, such as the flight delays, the rental car agency closing its doors, and a major traffic accident experienced shortly after getting into the car, audiences are easily drawn into the protagonist’s intense quest to find his missing girlfriend. Despite the language barrier, he manages to evade the relentless investigation of the local police and skillfully uncovers clues. Unexpected obstacles keep appearing one after another, propelling the story forward without a moment to catch your breath. At the climax of the confusion, when the full truth of the incident is revealed, and viewers are met with a shocking revelation that leaves them gasping in astonishment. (PARK Got)

贝贝是一个普通的“标准的/丝滑无误的”已婚已育女人，作为家庭主要支撑的她在大流行中被公司裁员，决定回南方老家寻找机会，由此开始安顿家人、整理自己的各路关系，在勇气、隐忍下不断探索，并努力保存自己的欲望。 本片使用伪纪录片的拍摄方式，呈现了一位困于现实与关系、承受着生活压力与内心孤独并坚持拓展自我的女性形象。表达着力在她作为妻子、母亲和女儿等身份之外，对自我、情感和欲望的探索过程。

17 岁的迈克尔梦想着将来成为一名钢琴家，但他的父母并不支持。如果报名音乐学院，他就可以跳过第二轮考试。在他寻找灵感的过程中，他的哥哥丹尼意外出现，并向他介绍了鹿特丹的歌舞厅。因此，迈克尔被卷入了一个充满劲爆节拍、兄弟情谊和毒品的世界。但当丹尼的毒品生意发展到国际规模时，兄弟俩必须为自己的生命而战。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.

Janus is a young high school student who dreams of leaving his native countryside ravaged by isolation and alcoholism. His daily life changes when he discovers an artisanal distillery hidden in his grandfather&#39s cellar.

丈夫何山凭空消失了十年后，苔花（蒋勤勤 饰）正要迈进新生，但命运却把她推向了另一重绝境——她前脚被情人（陈建斌 饰）母亲从采茶园赶走，后脚就被最亲近的好姐妹金兰骗进了传销组织“蝴蝶国际”。母亲沉迷其中，让一边寻父一边救母的儿子目莲（吴磊 饰）身心疲惫，而蝴蝶国际却如藤蔓疯长一般，将恶魔的种子根植在无数百姓心中。苔花也摇身一变，从衣着打扮到言行举止都宛如“新生”，疯癫的举动让目莲感到诧异。母亲如蝴蝶一般翩翩于梦中之际，儿子想尽一切办法奋力解救……这座人间炼狱究竟该怎样逃脱？现代版“目连救母”能否成功？

父亲去世后，这名颓废的昔日足球明星回到偏远的皇后镇，努力修复与儿子的关系，而他的儿子是一名志向高远、大有前途的球员。

本作は泥棒という裏の顔を持つカフェ店員・木梨栄木が、警官の眉村ゆずきの部屋で一仕事をするところから展開するサスペンスコメディ。木梨は彼女の部屋で「ずっとお前を見ているからな」という手紙を見つけ驚くも、難なく盗みを終える。そしてある日バイトを終えて家に帰ると、愛犬・天然くんがいなくなっていることに気付くのだった。

台风临近，刮起深埋心底的潮湿记忆。婚礼前夕，与母亲（潘结 饰）居住在广州的婷（林冬萍 饰）前往香港，寻找20年未见的父亲（太保 饰）。破壳荔枝，打口唱片，渡轮越过海洋，走进水果市场，世界真是小，小得真奇妙，时间在每个人心中留下印记，而真相并不总是温柔。重逢的夜，冒险漫游恍若彼时映照，伤痛在午夜梦回袭来，终将在梦醒时分离开。

伊芙是熱愛自然、充滿創意的景觀設計師，接下花園設計案，卻遇上固執挑剔的考古學家萊恩。她的靈感與他的實用派風格完全不合，兩人爭執不斷。不過萊恩的兩個女兒卻熱心撮合他們。隨著設計進行，伊芙與萊恩的感情逐漸升溫。但伊芙的男友馬克卻突然邀請她搬到日本，讓她在兩者之間陷入掙扎。

Thelifeofadisciplinedhighschoolathletebeginstounravelwhenhisqueeridentitycompetesagainsttheideaofwhohewassupposedtobe.

贝拉·斯帕克斯 (Bella Sparks) 经营贝拉精品店。行李丢失后，斯特凡需要准备好参加为期一周的高风险会议的装备。她意外地发现斯特凡实际上是坦福德公爵斯特凡·威廉·弗朗西斯·布朗。

When a one night stand with her awkward neighbor leaves her pregnant, a young woman decides to quickly sleep with a successful businessman and tell him he's the father of her unborn baby.

Martinez, a lonely accountant who really prizes his daily monotony, is pushed by his hierarchy to retire. While his life stability is threatened, his neighbor, a woman of his age, is found dead in her home after several days. Although he has never met her, her death will make him realize that his life is still ahead of him.